RBNo3.1 is a sans serif typeface with a technical and geometric appearance. The family includes 9 weights with matching italics. It's large x-height makes it especially legible at small point sizes. RBNo3.1 feels comfortable in technical surroundings with short text passages, in brochures, catalogs, magazines, posters, websites headlines and logos.

THE TASK
PARISTEXAS opened its doors in the spring of 2007 to an entirely new shopping experience in the heart of Copenhagen. PARISTEXAS is an exclusive fashion store focusing on specially selected designer products for men and women. The store’s collection is unique, like a symphony composed of a number of international, trendsetting, underground brands exclusive to PARISTEXAS. The assignment involved creating an identity that breaks with the traditional thinking behind identities and by extension supports a sense of unique, international exclusivity and underground style.

New Visual Identity
Personal Business Cards

Visual Identity design for my new cards. Also for this project I designed a custom geometric sans-serif typeface called "gara". It was printed using letterpress technique.

Superhero Typographic Classifications
MFA Thesis Exhibition, December 2011

The most distinguishing factor of any font is its characters. Hidden beneath these characters, each typeface also has character—its own unique characteristics. However classified this information may seem, when used correctly, typefaces often speak to us more powerfully than the words that are written with them.

Signika
A bit playfull typeface designed for pedestrian signage.

Signika is a sans-serif with a gentle character, developed for wayfinding, signage, and other media where clarity of information is required. It has a low contrast and tall x-height to improve readability of texts in small sizes as well as in large distances from the reader. The typeface comes with a wide character set supporting most of the Eurpoean languages, small caps, pictograms and arrows. The figures are designed as tabular. Being a typical signage typeface it is inspired by typefaces such as Ronnia, Meta, and Tahoma. All weights from Light to Bold have alternative Negative versions, optimised to solve the effect of juxtaposed positive and negative text setting, where the text in negative tends to look thicker.